Chou Kuan-Jou is based in Taipei, Taiwan, specializing in embodied creative practices, performance, movement design, and dance education. Kuan's work also extends into social advocacy, including sex volunteering with Hand Angels. Kuan has devoted time to the artistic practice of the "Erotic Body" employing the fluidity of sexuality as a strategy to reframe boundaries. Through practices centered on touch and bodily interaction, this approach expands into a dance-based dialogical space. The methods of practice include, but are not limited to, physical explorations, workshop sharing, and performance art.

Kuan’s work TOMATO received five-star reviews and The Bobby Award at the Edinburgh Festival Fringe. Later, Kuan was invited to perform at The Coronet Theatre in London and Melbourne Fringe, with the work described by The Guardian as “unique and full of potential.” In 2024, Kuan initiated the “Free Touch” practice; Kuan’s concept-derived work, Free Touch : Staging Presence, won the Best Work in Fringe  at the 2025 Taipei Fringe Festival.

Kuan has been invited to international events such as CND Camping 2019, Tanzmesse 2022, da:ns lab 2023 at Dance Nucleus, Perth Moves 2024, Transmission Impossible at Avignon Festival 2024, and Watch& Talk at Zürcher Theater Spektakel 2024.